by Brisbane Jazz Club | Nov 27, 2021 | Shenzo Gregorio Quartet and Melissa Western
Imagine, if you will, a Parisian street scape. An all-night café. Shot glasses of absinthe. Smoke slowly rising from a Gauloise.
Close your eyes. Sense, feel, hear the spirit, the presence…of Django Reinhardt and Stephane Grappelli. And is that Ernest Hemingway sitting quietly in the corner, with his head in a notebook?
Well, that’s how it all felt, as we settled in for the Saturday night session of Oz Manouche 2021, at the Brisbane Jazz Club.
And while ‘Paris’ may have been the first word that came to mind as these musicians slipped into their performance…it was quickly followed by words like…‘sublime’…and ‘exquisite’. And ‘Wow!!’
The Shenzo Gregorio Quartet is Shenzo on guitar and violin. (Cameron James aka) Camaron De La Vega on guitar. John Reeves on piano accordion. And Peter Walters on his Bob Manzaneres custom, electric double bass…which he thinks might be radioactive, as it was built in Los Alamos, New Mexico!!
Radioactive? Maybe. Electric and hot? Oh, yes!! This awesome foursome of talented musicians had those forty fingers charged up and absolutely sparking across their instruments!!
They gave us Jazz manouche classics like Camille Saint-Saëns’ ‘Danse Macabre’ and Django’s ‘Swing 42’. And they gave us great originals such as ‘N’Awlins’ and ‘Sahara Swing’…all before introducing their vocalist…former BJC President and darling of the Edinburgh Festival…Melissa Western.
And in introducing her, bass-man Peter waxed lyrical about Melissa’s outstanding contribution to the Club’s development…including being President at the time that the late, great, much-missed Ewan Mackenzie brought to the Club, his ideas for the very first Oz Manouche Gypsy Jazz Festival…16 years ago!!
And so now, there were five instruments on our stage.
Whether delivering the heart-felt lyric of Gershwin’s ‘The Man I Love’, or scatting in support of Brahms’ ‘Hungarian Dance’, Melissa’s incredible power, range, control and high-octane vocal gymnastics soared beautifully…in flawless synch with the violin, guitar, accordion and bass.
Have Cole Porter’s ‘Love For Sale’ or Billie Holiday’s ‘God Bless The Child’ ever been done any better? Anywhere? By anyone?
And when they gave us the Duke Ellington classic, ‘It Don’t Mean A Thing, (If It Ain’t Got That Swing)’, where on the scale was Melissa scatting at? Just how does she doooo that?
At the end of the evening…which came far too soon…when Melissa asked, ‘Can you handle an encore?’, they gave us Duke Ellington’s ‘Caravan’. And the packed house audience’s response blew the roof off!!
What an enjoyable and memorable performance. Five great musicians, each adding their own personal touch of Django.
It was gentle. It was frantic. It was simple. It was complex. It was all exactly where and when and how it needed to be.
C’est formidable!! Thank you.
Alan Smith
Brisbane Jazz Club
by Brisbane Jazz Club | Nov 14, 2021 | Robyn Brown
A sweet, glowing halo flitted and shone around the Brisbane Jazz Club today.
Powered by a heavenly band of talented musicians and the powerful rhythms, emotion and enthusiasm of Gospel Music, the halo finally settled above the head of our lady on the stage, Ms. Robyn Brown.
And it touched and moved us all, through Robyn’s angelic voice, her deep, deep conviction, and her great love for this music and its message.
Yes, we were blessed, as Robyn and her six disciples shone their light on an afternoon of musical history: sharing a compelling and captivating journey of soul-stirring vocals, and a This Train load of engaging anecdotes about the genesis and legacy of Gospel Music, and many of its best-known saints and champions.
And we were carried high over Jordan, (aka The Brisbane River), on the wings of those spontaneous, memorable, dancing arrangements of the otherwise modest 1, 2 and 3-chord songs.
So, who was this band of Holy Rollers that held us spell-bound and captivated through an inspiring BJC Sunday session?
Well, up front, Robyn Brown is the vocalist and historian.
At the piano, and playing with a broken left pinkie, that’s David Spicer. .
Behind the upright bass, under the same tousled, curly hair that he had last time he was at the BJC, (which was some time ago), was Peter Walters. (Welcome back, Pete!! Great to see you). .
At the kit, with the perfect mix of driving, rousing and gently understated drumming, that is Max Sportelli.
And blowing us all the way to dem ole Pearly Gates, the Horn Section is Emeritus Professor, Dr. Rob McWilliams on trumpet and flugelhorn, Mark Spencer on tenor saxophone and David Murtough on slide trombone.
So, thank you Robyn and your ensemble. Through your two-set song-list and informative anecdotes, we learnt much about this music, and many of its founders and pioneering influences.
We now know that the story of Gospel Music begins back in the 17th Century, with the African-American spirituals that sprang from the deprivations of the US Slave Trade. And we understand why the songs, which can be low, slow and dramatic, or happy, clappy and uplifting, are so full of biblical narrative and allusion, and the recurring theme of freedom.
Along the way, we met Blind Willie Johnson (1897-1945) and ‘The Godmother/Grandmother of Rock n Roll’, Sister Rosetta Tharpe (1915-1973). There was Ethel Waters. The Fisk University Jubilee Singers. Mahalia Jackson. Aretha Franklin. Sam Cooke and the Soul Stirrers. The Blind Boys Of Alabama. And more.
All of whom had helped lay the foundation for much of the American music that has been popularised since, including Blues, Rock ‘n Roll, Soul, Hip-Hop…
…and of course, Jazz…
…which leaves the circle unbroken, by eventually leading the faithful to here, our beloved Brisbane Jazz Club, for another beautiful afternoon….Down By The Riverside!!
Hallelujah!!
Alan Smith
Brisbane Jazz Club
